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Movies, the ultimate form of escapism, leave their audience on a high note. But there's nothing like a true-to-life story of triumph and struggle to make an individual feel like they've taken part in something bigger than themselves. One such tale that is gaining ground in the film community is poetic justice. As its name suggests, it is the tragic story of two people who end up living their onscreen romance after not coming to terms with its fictional nature. The dark narrative follows these unlikely lovers through emotional struggles and success stories across all aspects of life — from acting to raising children — while never forgetting its roots as a movie. It's also the film that broke several records with its unique trailer. "'Poetic Justice' is the first movie trailer to use Facebook as a marketing platform. It was also the first real time, live action trailer to be broadcast on YouTube. The director used an iPhone to shoot footage of the actors on location in France and edited it live on set while they filmed." The story begins with a Hollywood detective (Ghelfi) who is investigating the murder of one of his favorite actors, Chris Brasher (Sampson). He believes that the man's fiancée, Samantha Clayton (Truax) might have been behind his death. She has been living under the alias of a hairdresser, a disguise never known to be true until she is questioned by the detective. She also refuses to help him with his investigation or reveal her true identity. As time passes and it becomes clear that she is guilty of murder, their relationship evolves from one of mystery to one of revelation as she reveals her past as a model and actress. The film explores these two characters as they meet in Paris, adopt two children from different backgrounds and attempt to balance their careers with their personal lives. The end result is a tragic story that emphasizes their sacrifices for each other while standing up for what they believe in, even if the audience may not see it at first glance. Poetic Justice opened at number two at the box office.The movie is a film adaptation of "Possession" by the same name, which was created for television by Jean-Claude Lord, written by Peter Horton and directed by John Maybury. It was originally broadcast on the BBC in 1995 and starred Sarah Berger as Sara Clayton and Peter Bowles as Detective Robert Grieves. A second series followed in 1997 with new cast members including Hannah Gordon, Annette Crosbie and Ciarán McMenamin. The original television series was shot with hand-held cameras in France and not in Los Angeles as is done in the feature film. It was filmed for ten weeks in the summer of 1994, using the same cast as the feature. At this stage, Paramount Pictures had not committed to the movie adaptation. When Universal Studios purchased the television rights, it became clear that they planned to continue with a film adaptation. Ghelfi and Truax were already attached to direct and co-star in "Possession" at this point, so they requested to move on with the project. The producers agreed only if they could also direct "Poetic Justice". The film's trailer was shot mainly at various locations in Paris, France that are referenced throughout the film. The producers sent out 'advertisements' describing story elements to various hotels around Paris, requesting access for filming. cfa1e77820
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